GARDENERS OF EDEN

Acrylic on box canvas. 200 cm x 150 cm. 2022-3

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Titled after the documentary film of the same name, the principle painting in this collection appears benign, even joyful yet posits an unfolding ecological disaster with potentially far-reaching consequences. Not least of which is the loss of additional creatures such as zebras and impalas, dependant for their survival on the habitat-clearing work of elephants who are known as “The Gardeners of Eden”. Elephants are a subject the artist returns to repeatedly. These ‘Delicate and Mighty’ creatures live in matriarchal societies relying on the wisdom of their elder stateswomen who are at the hub of complex social networks. Additionally, the idea that groups led by older matriarchs might have a survival advantage is supported by a study of elephants in Tangarire National Park in Tanzania.

We are facing an extinction crisis. Scientists predict that humanity’s footprint on the planet may cause the loss of 50% of all species by the end of the century. We have entered the sixth major extinction in Earth’s history, following the fifth great extinction causing the disappearance of the dinosaurs. Climate change, our impact on the environment, habitat loss and the current rapid rate of extinction are all issues which have devastating implications as the biggest challenges we face. We are racing extinction and we cannot afford to lose.

Acrylic on box canvas. 200 cm x 150 cm. 2023

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Titled after J.G. Ballard’s novel ‘The Burning World’ and inspired by Henri Rousseau’s painting, ‘Surprised!’ this work simultaneously speaks to current events and mankind’s limitless ability to be caught out by recurring catastrophic climate events which should, by now, have an unfortunate predictability.

Uncontrollable and devastating wildfires are becoming an expected part of our seasonal calendars. They occur on every continent except Antarctica and most regions experience weather conditions conducive to the outbreak of a wildfire at some point in the year. Wildfires in ecosystems like peatlands and rainforests, which store large amounts of irrecoverable terrestrial carbon, release vast quantities of CO2 into the atmosphere, exacerbating global warming. In this way, wildfires may accelerate the positive feedback loop in the carbon cycle, making it more difficult to halt rising temperatures.

Title from the book-length poem Whale Nation by Heathcote Williams – a poem that honours the beauty, intelligence and majesty of the largest mammal on Earth.

Scientists predict that we could lose over 90% of our coral reefs by 2050 if we don't act urgently to reduce our greenhouse gas emissions. Although they occupy less than 0.1% of the ocean floor, coral reefs are home to a quarter of all marine life - that’s more species than rainforests. Animals use reefs for shelter, food and laying eggs. Reefs are vital for people too – they protect coastlines by reducing the impact of storms and waves, which can cause destruction and land erosion. They also provide food and livelihoods to many millions of people, worth around £300 billion each year.

Natural Earth pigments, on box canvas. 100 cm x 70 cm 2024

Panta Rhei translated as Everything Flows is one of the most famous philosophical quotes of all times.

“No man ever steps in the same river twice, for it's not the same river and he's not the same man..”

England’s rivers, include 85% of the world’s precious chalk streams, yet only 14% are in good ecological health, and all fail to meet chemical standards.

Acrylic on box canvas. 100 cm x 100 cm. 2022

Often dubbed the unicorns of the sea, narwhals are strange and beautiful creatures with long tusks protruding from their heads. The narwhal tusk—most commonly found on males—is actually an enlarged tooth with sensory capability and up to 10 million nerve endings inside.

COLLABORATION WITH CHARITY: WATER AND THE OTHER ART FAIR (PRIVATE COLLECTION, U.K.)

Acrylic on box canvas. 61 cm x 61 cm. 2023

Water is recognised as a basic human right, yet millions of people still lack basic drinking water access. charity: water is a nonprofit organisation bringing clean and safe water to people around the world in line with the United Nations Sustainable Development Goal (SDG) 6: water and sanitation for all by 2030. So far they have funded over 130,000 water projects in 29 countries around the world with the help of local partners. Claire Milner is one of a handful of artists selected to collaborate with charity:water in partnership with The Other Art Fair. Work created will be available at the fair in London from 12 – 15 October at the Truman Brewery.

Acrylic on box canvas. 200 cm x 150 cm. 2023

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Inspired by the paintings of Henri Rousseau ‘Rewinding’ imagines a world after human civilisation has destroyed itself. This is a world where remaining architecture becomes superseded by nature and wildlife.

Acrylic and Natural Earth pigments, on box canvas. 100 cm x 70 cm 2024

‘Truth’ references ‘Una and the Lion’ depicted by Briton Riviere, inspired by ‘The Faerie Queene’, one of the great long poems in the English language, written in the 16th century by Edmund Spenser. The Faerie Queene is notable for its rich use of language, and its innovative verse form, the Spenserian stanza. An epic poem, characterized by its extensive use of allegory, the characters, events, and settings all represent abstract qualities, concepts, and moral or ethical ideas. It delves into themes of chivalry, morality, and the power of good over evil. It follows the adventures of several knights, each of whom represents a different virtue, and Una who represents truth.

Acrylic on box canvas. 100 cm x 150 cm. 2023

Inspired by the paintings of Henri Rousseau ‘After The Fall’ refers not only to the fall of Rome, but of human civilisation. This is a world where remaining architecture becomes superseded by nature and wildlife.

Natural Earth pigments, on box canvas. 100 cm x 100 cm 2024

‘..Yet from those flames
No light; but rather darkness visible
Served only to discover sights of woe.’

Acrylic on box canvas. 100 cm x 100 cm. 2023

Mixed Media and Digital Collage with Natural Earth pigments. 95cm x 95cm 2021

Selected for ‘A Thousand Words’ virtual exhibition curated by Gita Joshi at The Curator’s Salon.
Featured in The Curator’s Salon.

This painting focuses on the Leuser Ecosystem which is one of the most ancient and life-rich ecosystems ever documented by science. It is the last place on Earth where Sumatran orangutans, elephants, tigers, rhinos and sunbears still roam the same habitat, a hotspot of biodiversity and among the most important areas of intact rainforest left in Southeast Asia. Industrial development for palm oil, pulp and paper plantations and mining continues to threaten the entire ecosystem, despite being technically protected under Indonesian national law.

Natural Earth pigments, on box canvas. 100 cm x 70 cm 2024

Acrylic, Handmade Paper and Swarovski Crystals on box canvas.
61 cm x 61cm. 2022.

Selected by the organisers of Hampstead Art Fair for ‘The Power of Words’ curated wall.

According to a recent analysis, the sixth mass extinction of wildlife on Earth is accelerating. More than 500 species of land animals are on the brink of extinction and are likely to be lost within 20 years; the same number were lost over the whole of the last century. The study, conducted by scientists from 22 different institutions in six countries, confirmed the sixth mass extinction. The study states that this mass extinction differs from previous ones because it is entirely driven by human activity through changes in land use, climate, pollution, hunting, fishing and poaching.

Five previous mass extinctions are:
Ordovician-silurian Extinction: 440 million years ago.
Devonian Extinction: 365 million years ago.
Permian-triassic Extinction: 250 million years ago.
Triassic-jurassic Extinction: 210 million years ago.
Cretaceous-tertiary Extinction: 65 Million Years Ago.

Mixed Media and Digital Collage. 85cm x 65cm 2021

Selected for ‘A Thousand Words’ virtual exhibition curated by Gita Joshi at The Curator’s Salon.

Featured in The Curator’s Salon.